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The Beginning of Drama作文

時(shí)間:2023-12-02 21:05:28 曉怡 考研英語(yǔ)作文 我要投稿
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The Beginning of Drama作文

  在日常學(xué)習(xí)、工作抑或是生活中,大家對(duì)作文都再熟悉不過(guò)了吧,根據(jù)寫(xiě)作命題的特點(diǎn),作文可以分為命題作文和非命題作文。如何寫(xiě)一篇有思想、有文采的作文呢?下面是小編為大家收集的The Beginning of Drama作文,歡迎閱讀與收藏。

The Beginning of Drama作文

  The Beginning of Drama作文 1

  There are many theories about the beginning of drama in ancient Greece. The on most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world-even the seasonal changes-as unpredictable, and they sought through various means to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.

  Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used, Furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the "acting area" and the "auditorium." In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect-success in hunt or battle, the coming rain, the revival of the Sun-as an actor might. Eventually such dramatic representations were separated from religious activities.

  Another theory traces the theaters origin from the human interest in storytelling. According to this vies tales (about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.

  The Beginning of Drama作文 2

  This morning I played a drama in my Comprehension English Class He said we could choose any kinds of stories, but we should do it with our team, and he would choose the best one and give them presents It’s our turn to show it today Shelly is Juliet, I’m Romeo, and Sandy is Juliet’s mother While we just had three girls and I couldn’t remember my words clearly At that moment I was so embarrassed and I wanted to escape, but Shelly reminded me and I could continue again Because of me, they missed the gifts, but theydidntblame me, and said it’s no big deal, just for fun.

  The Beginning of Drama作文 3

  let us suppose that you are in the position of a parent. would you allow your children to read any book they wanted to without first checking its contents? would you take your children to see any film without first finding out whether it is suitable for them? if your answer to these questions is ‘yes’, then you are either extremely permissive, or just plain irresponsible. if your answer is ‘no’, then you are exercising your right as a parent to protect your children from what you consider to be undesirable influences. in other words, by acting as a censor yourself, you are admitting that there is a strong case for censorship.

  now, of course, you will say that it is one thing to exercise censorship where children are concerned and quite another to do the same for adults. children need protection and it is the parents’ they old enough to decide what is good for them? the answer is that many adults are, but don’t make the mistake of thinking that all adults are like yourself. censorship is for the good of society as a whole. highly civilized people might find it possible to live amicably together without laws of any kind: they would just rely on good sense to solve their problems. but imagine what chaos there would be if we lived in a society without laws! like the law, censorship contributes to the common good.some people think that it is disgraceful that a censor should interfere with works of art. who is this person, they say, to ban this great book or cut that great film? no one can set himself up as a superior being. but we must remember two things. firstly, where genuine works of art are concerned, modern censors are extremely liberal in their views—often far more liberal than a large section of the public. artistic merit is something which censors clearly recognize. and secondly, we must bear in mind that the great proportion of books, plays and films which come before the censor are very far from being ‘works of art’.

  when discussing censorship, therefore, we should not confine our attention to great masterpieces, but should consider the vast numbers of publications and films which make up the bulk of the entertainment industry. when censorship laws are relaxed, unscrupulous people are given a license to produce virtually anything in the name of ‘a(chǎn)rt’. there is an increasing tendency to equate ‘a(chǎn)rtistic’ with ‘pornographic’. the vast market for pornography would rapidly be exploited. one of the great things that censorship does is to prevent certain people from making fat profits by corrupting the minds of others. to argue in favor of absolute freedom is to argue in favor of anarchy. society would really be the poorer if it deprived itself of the wise counsel and the restraining influence which a censor provides.

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